british modernism at the Tate::part 1

Ben Nicholson, 1935 (white relief) 1935

“In defiance of the increasingly antagonistic Nationalism engulfing Europe, [their?] position was explicitly internationalist and utopian. The compositional quietude of [these] white reliefs provided an aesthetic model for a possible social harmony.” –Tate Britain

Paul Vézelay, Five Forms 1935

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